Web Style Guide, 2nd Edition
AS IS THE CASE WITH MANY innovations, the Web has gone through a period of extremes. At its inception, the Web was all about information. Visual design was accidental at best. Web pages were clumsily assembled, and "sites" were accumulations of hyperlinked documents lacking structure or coherence. Designers then took over and crafted attractive, idiosyncratic, and often baffling containers for information. The Web became a better-looking place, but many users hit up against barriers of large graphics, complex layouts, and nonstandard coding. Every site was different, and each required users to relearn how to use the Web, because "real" designers could not be bound by standards or conventions. Instead, designers pushed the boundaries of HTML, using workarounds, kludges, and sleight of hand to design on the cutting edge.
AS IS THE CASE WITH MANY innovations, the Web has gone through a period of extremes. At its inception, the Web was all about information. Visual design was accidental at best. Web pages were clumsily assembled, and "sites" were accumulations of hyperlinked documents lacking structure or coherence. Designers then took over and crafted attractive, idiosyncratic, and often baffling containers for information. The Web became a better-looking place, but many users hit up against barriers of large graphics, complex layouts, and nonstandard coding. Every site was different, and each required users to relearn how to use the Web, because "real" designers could not be bound by standards or conventions. Instead, designers pushed the boundaries of HTML, using workarounds, kludges, and sleight of hand to design on the cutting edge.
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